Where the film actually becomes the film.
THE SHAPE
Post is where most projects get either rescued or quietly weakened. We treat the offline as a second writing pass, the color as the second cinematography pass, and the mix as the place where the film's emotion is locked in. We do not deliver a film that hasn't earned its final frame.
Our post chain runs on the same crew across projects — editor K. Tan colors, M. Reuter mixes — so the visual and sonic language of NOPE® work stays continuous across years.
WHAT'S IN THE BOX
- ▸Offline edit (multiple cut passes)
- ▸Color grade (Resolve, Baselight on request)
- ▸Sound design and final mix (5.1, stereo, Dolby Atmos on request)
- ▸VFX coordination (limited in-house, larger vendors managed)
- ▸Mastering and delivery to spec (broadcast, theatrical, web)
HOW WE MOVE
ASSEMBLY
Footage ingested, organized, and a first assembly cut produced within 5 days of wrap.
DIRECTOR'S CUT
Three editing passes with the director. Locked picture at end of this phase.
SOUND DESIGN
Sound design + voiceover + ADR. Director attends spotting and final mix sessions.
COLOR
Two passes. First in isolation, second next to final sound. Mastered to spec.
FINISH
All deliverables packaged. Source archive handed to client + retained 24 months.
WHAT YOU GET
Mix supervised by award-winning M. Reuter (Berlinale 2024 sound).
Color signature shared across NOPE® work — recognizable in a blind test.
Delivery packs accepted first-time by every major spec (broadcast, theatrical, MUBI, ARTE).
REQUESTPOST
One brief, one form, one reply within 24h. We answer everything — even when the answer is “not us, try them”.
Or, if you need more than one discipline, build a bundle across services.